The work of Voluspa Jarpa (Rancagua, Chile, 1971) has had a very preeminent focus on the political concept surrounding archiving and its documents. Attracted to investigate more about its multiple meanings as a result of the declassification of secrets, specifically the one carried out by the Clinton administration regarding the 1973 coup d'état against Salvador Allende, the artist begins a discursive investigation on the importance of the archival support and the materiality it has as a political document, which leads her to qualify that presupposed legibility.
